When it comes to independent movies, horror can sometimes prove a difficult hurdle. Independent horror often falls into one of two traps: either it relies too heavily on horror movie tropes, or its effects leave much to be desired. Bakemono seeks to avoid both by taking a particularly daring approach.
Its non-linear story follows varied guests as they each stay in the same Tokyo Airbnb. What they don’t realize is that within lurks something sinister, and that they’re being used as currency in an exchange between a greedy local and a summoned demon. A relatively large cast and an effects-heavy premise aren’t often considered the standard for independent movies, making Bakemono an interesting prospect.
Bakemono’s Practical Effects Are Admirable
From the off, Bakemono‘s use of practical effects is impressive. There’s no “less is more” conservative approach to its monster, but rather it serves as one of the few threads connecting the various subplots and characters. In many ways, Bakemono‘s presentation of its antagonist is Carpenter-esque, confident in its ability to convincingly evoke the desired emotion through its effects.
That emotion is undoubtedly revulsion. The monster’s visceral appearance and the horrifying rituals performed by the Airbnb’s host are repugnant, brought to life as they are by practical effects. It’s one of the most successful and effective elements of the film, and it’s certainly where its best horror moments come from. Bakemono‘s use of jumpscares is also effective, even if many of them feel somewhat predictable.
Bakemono’s Non-Sequential Narrative Trips Over Itself
Despite its impressive practical effects, Bakemono does have clear shortcomings. Its non-linear story is a little off-putting at times, as it’s jumbled enough as to be marginally confusing. The lack of a consistent timeline makes Bakemono‘s plot needlessly difficult to decipher, which is a shame as there is clearly interesting themes and ideas at play. The other major criticism is the film’s sound – blaring electronic stabs do not make for an adequate score, and the volume of dialogue is so much quieter that it’s hard to actually hear what Bakemono‘s characters are saying.
With that said, the film’s exploration of the more predatory side of Tokyo is interesting. Rather than embracing the city’s reputation as a vibrant and exciting hub, it instead examines the darker side of its urban sprawl and societal issues rampant in modern Japan, including its persistent patriarchal values and the dangers posed to women. In this, Bakemono has a clear purpose and theological heart, offering up considerably more substance than one might believe on a first examination.
Rating: 50%
Summary: Bakemono has the touch of a promising horror director all over it. Its ambition is largely its main downfall, but the ideas behind the film speak for themselves and make it an interesting and well-crafted piece.
Highlight: Every scene featuring the monster is both gut-wrenching vile and incredibly interesting, as the director’s willingness to place the impressive effects on display is hugely commendable.
Special thanks to Doug Roos for the screener link!